Monday, 17 August 2009
Bollywood Movie De Dhana Dhan photos gallery
DE DHANA DHAN CAST
Akshay Kumar
Katrina Kaif
Sunil Shetty
Paresh Rawal
Neha Dhupia
Sameera Reddy
DE DHANA DHAN CREW
Director: Priyadarshan
Producer: Ratan Jain, Champak Jain
Telugu Movie Anjaneyulu – Review, Cast and Credit
Cast: Ravi Teja, Nayantara, Nazar, Sonu Sood, Jayaprakash Reddy, Kota Srinivasa Rao, Srinivasa Reddy, Brahmanandam, prakash raj, Brahmaji, Raja Ravindra, Ahuti Prasad, MS Narayana, Vinayarasad, Jeeva, Junior Relangi, Ganeshbabu, Sana, Kim Sarma, bhuvaneswari and others
Credits: Cinematography – K. Ravindrababu, Editing – Marthand K. Venkatesh, Action – Ram-Lakshman, Art – Chinna, Music – S Thamas, Presents – Ravikiranbabu, Producer – Ganeshbabu, Story, dialogues, screenplay and direction – Parasuram.
Anjaneyulu – Review
Films are of different genre so as the filmgoers. After giving a blockbuster like Kick, the audiences in general and the fans of Ravi Teja have been eagerly looking for the next movie with lots of expectations. Anjaneyulu did not disappoint the audiences as it has all kinds of elements expected from Ravi Teja’s film.
Anjaneyulu (Raviteja), the son of headmaster Krishnamurthy (Nazar), is an average student at school. Krishnamurthy and his wife always encourage and pamper him. After completing his education, Anjaneyulu gets the job as a director in a television channel, as the proprietor (Jeeva) of the channel was the student of Krishnamurthy. He enjoys his life as it comes. Anjaneyulu and Krishnamurthy move like friends.
Once Anjaneyulu comes across Anjali (Nayantara) who works with a mobile service provider. He loses his heart at first sight and slowly they fall in love. Anjaneyulu informs his parents and they reach Hyderabad to fix the alliance. While returning to their native place, they are burnt alive in an accidental fire mishap. However, Anjaneyulu learns that it was not an accident but a cold blooded murder perpetrated by several big heads like home minister (Dandapani) and MLA (Jayaprakash Reddy), with the help of a local mafia don Bada (Sonu Sood).
In fact, a journalist (Sameer) prepares a big file with all evidences on the illegal activities of the Home Minister and wants to submit it to the chief minister. The Home Minister orders Bada to kill him upon a condition that it should not look like a murder as it might throw light on him. Learning this, Anjaneyulu decides to take a revenge on Bada and the other politicians and joins Bada's group as a goon and finally executes his plan and kills everyone. However, the interesting point here is that Anjaneyulu tells Anjali that he did not kill them for revenge, but decided to kill them only to satiate his sorrow, as his parents did not die out of old age or of some disease and lost life without enjoying their life with son, daughter-in-law and grandchildren. In the climax, Anjaneyulu hands over all the evidence he gathered to prove that the Home Minister, MLA, several other officials who assisted them were corrupt and the film ends on a happy note.
PLUS:
The highlight of the film is entertainment and comic relief. The director Parasuram has not only prepared a story that suits Ravi Teja but has also penned punching dialogues which are quite casual for dialogue delivery. Ravi Teja too has done a great job as the character is like the extension of his various films like Idiot, Amma Nanna…, Venky and the latest Kick. Nayantara does not have much scope to perform but has sizzled in dances and has proved that her combination with Ravi Teja is the best. Sonu Sood, who won the compliments for his performance in Arundhati has played the villain again by doing justice to his role. Though the songs tuned by Thamas are not so melodious, the choreography is superb.
MINUS:
The film is good in all aspects and there are very few minus points. In fact, comedy by Brahmanandam has not been etched well. Same is the case with Kota Srinivasa Rao’s character. Why the director abruptly ends the character is not known. The only drawback which is very clear is the speedy closure of the climax. Bhuvaneswari episode is also unnecessary in the film. Action by Ram-Laxman appears a little over enthusiastic as most of the fights are too cinematic.
REMARKS:
The strength of Lord Hanuman is not known to Him and one has to explain to him about it. But Anjaneyulu is not of that kind but is very fast and active. The characterisation of Ravi Teja would Definitely attract all classes and all age groups. His character has two different shades — a responsible youth and another very chivalrous. If you want to go to a theatre for mere entertainment, Anjaneyulu is the right film.
Anjaneyulu (Raviteja), the son of headmaster Krishnamurthy (Nazar), is an average student at school. Krishnamurthy and his wife always encourage and pamper him. After completing his education, Anjaneyulu gets the job as a director in a television channel, as the proprietor (Jeeva) of the channel was the student of Krishnamurthy. He enjoys his life as it comes. Anjaneyulu and Krishnamurthy move like friends.
Once Anjaneyulu comes across Anjali (Nayantara) who works with a mobile service provider. He loses his heart at first sight and slowly they fall in love. Anjaneyulu informs his parents and they reach Hyderabad to fix the alliance. While returning to their native place, they are burnt alive in an accidental fire mishap. However, Anjaneyulu learns that it was not an accident but a cold blooded murder perpetrated by several big heads like home minister (Dandapani) and MLA (Jayaprakash Reddy), with the help of a local mafia don Bada (Sonu Sood).
In fact, a journalist (Sameer) prepares a big file with all evidences on the illegal activities of the Home Minister and wants to submit it to the chief minister. The Home Minister orders Bada to kill him upon a condition that it should not look like a murder as it might throw light on him. Learning this, Anjaneyulu decides to take a revenge on Bada and the other politicians and joins Bada's group as a goon and finally executes his plan and kills everyone. However, the interesting point here is that Anjaneyulu tells Anjali that he did not kill them for revenge, but decided to kill them only to satiate his sorrow, as his parents did not die out of old age or of some disease and lost life without enjoying their life with son, daughter-in-law and grandchildren. In the climax, Anjaneyulu hands over all the evidence he gathered to prove that the Home Minister, MLA, several other officials who assisted them were corrupt and the film ends on a happy note.
PLUS:
The highlight of the film is entertainment and comic relief. The director Parasuram has not only prepared a story that suits Ravi Teja but has also penned punching dialogues which are quite casual for dialogue delivery. Ravi Teja too has done a great job as the character is like the extension of his various films like Idiot, Amma Nanna…, Venky and the latest Kick. Nayantara does not have much scope to perform but has sizzled in dances and has proved that her combination with Ravi Teja is the best. Sonu Sood, who won the compliments for his performance in Arundhati has played the villain again by doing justice to his role. Though the songs tuned by Thamas are not so melodious, the choreography is superb.
MINUS:
The film is good in all aspects and there are very few minus points. In fact, comedy by Brahmanandam has not been etched well. Same is the case with Kota Srinivasa Rao’s character. Why the director abruptly ends the character is not known. The only drawback which is very clear is the speedy closure of the climax. Bhuvaneswari episode is also unnecessary in the film. Action by Ram-Laxman appears a little over enthusiastic as most of the fights are too cinematic.
REMARKS:
The strength of Lord Hanuman is not known to Him and one has to explain to him about it. But Anjaneyulu is not of that kind but is very fast and active. The characterisation of Ravi Teja would Definitely attract all classes and all age groups. His character has two different shades — a responsible youth and another very chivalrous. If you want to go to a theatre for mere entertainment, Anjaneyulu is the right film.
Telugu Movie ' MAGADHEERA ' Review
Film: Magadheera
Rating: 4/5
Banner: Geetha Arts
Cast: Ram Charan, Kajal, Dev Gil, Srihari, Surya, Sarath Babu, Sunil, Brahmananadam, Hema, Chiranjeevi, Kim Sharma, Mumaith Khan, Subbaraya Sharma, Rao Ramesh etc
Editing: Kotagiri Venkateswara Rao
Music: Keeravani
Cinematography: Senthil Kumar
Fights: Ram Laxman and Peter Heins
Lyrics: Chandrabose, Keeravani and Bhuvanachandra
Story: V Vijayendra Prasad
Dialogues: M Rathnam
Producer: Allu Aravind
Director: SS Rajamouli
Released On: 31st July 2009
The much awaited ‘Magadheera’ has arrived. It has created huge expectations by the virtue of its posters, trailers and above all the music. Finally let us see if it has reached those expectations.
Story:
Harsha (Ram Charan) is a young man who earns money on bike races and bets. He loves such adventures on two wheelers. He happens to touch the hand of a young girl Indu (Kajal) accidentally and that ‘soul touch’ connects his present to the past.
What’s the past?
That’s 1609 AD when Kalabhaiarava (Ram Charan) was the warrior in Udaigarh who trains the soldiers. The Senadhipathi Randheer (Dev Gil) lusts on Yuvarani Mitravinda (Kajal) but the latter loves Kalabhirava. That results in a huge battle between Randheer and Kalabhairava which puts end for their lives. Sher Khan (Sri Hari), the Muslim invader witnesses the valor and love of Kalabhairava and salutes to him.
They take rebirth as Harsha and Indu. And many characters from the past also come to present with the soul connectivity. But where? What happens to them? How the past life matters for them in present life?
That has to be watched on big screen to experience the marvelous treat along with unleashing those queries.
Performances:
Ram Charan:
He stood as an icon of macho look. He portrayed the 1609 AD role, Kalabhaiarava, with right bearing and voice modulation. Chiranjeevi’s yester year’s voice echoed in the ears of audiences with that modulation of Ram Charan for that character. His dances are spellbinding, especially in ‘Bangaru Kodi petta..’.
Kajal:
She is the right choice and perfect blend. Her elegance is amazing in queen’s role.
Sri Hari:
His portrayal as Muslim warrior Sher Khan is quite wonderful. He added value to the movie on a whole.
Dev Gill:
This Bollywood villain has shared screen in the main antagonist role. He proved perfect particularly in ‘past birth role’.
Others:
Sarath Babu is ok in the role of old king, the father of Yuva Rani Mitravinda.
Rao Ramesh perfectly grooved in the role of Aghora Sadhu with apt gait and voice modulation
Brahmanandam and Hema got wasted
Sunil’s comedy is ok to large extent
Technical departments:
The movie deserves right mention for music, sound effects, graphics, 3D effects, Cinematography and Choreography. What not! Every technical faculty has rightly worked on this film. Director Rajamouli should be appreciated for his guts to bring such a massive film on Telugu screen.
Allu Aravind should be esteemed for his wonderful production values.
Music And Lyrics:
Keeravani and Chandrabose have created wonder with music and lyrics. Every word has aptly grooved into the situation in finest musical form.
Jorse Jorse is like a sheer poetry drawn on a canvass
Naakosom Juttu Peekkunte (written by Keeravani) is hilarious and entertaining
Panchadaara Bomma will be one of lifetime melody hits in Ram Charan’s filmography
Bangaru Kodi petta (penned by Bhuvanachandra) surpassed the older one in choreography
Dheera Dheera is the song that was ever pictured on Indian screen so far
Magadheera…(rolling title song) is innovative and interesting with the dances of Allu Aravind, Keeravani, Rajamouli, Rama Rajamouli, Ali, Sunil, Brahmanandam, Kajal, Kim Sharma, Mumaith Khan, Saloni, BA Raju and every technician worked in the movie
Above all the background music stood as backbone for the movie
Highlights:
* Marvelous art work carried to portray Udaigadh city of 1609AD
* Battle between Kalabhairava and 100 soldiers of Sher Khan
* Wonderful picturization of Dheera Dheera song
* Lord Shiva’s statue that brings hysterical feeling
* Helicopter and bike stunts of Ram Charan
Disappointments:
* Brahmanandam-Hema comedy
* Chiranjeevi’s episode
* Dialogues in first 44 minutes
Analysis:
“This is our movie-our Telugu movie. This is our pride. This is the creation happened with the cognizance of our Telugu director”…would be the feel of every Telugu film lover while watching this film.
Words wouldn’t suffice to explain the experience of technical extravaganza depicted in this film. It’s just spellbinding. The range of Telugu film has gone to a higher plane with this film. The maker Rajamouli and producer Aravind should be appreciated unconditionally. And kudos would go to the technical team that has kept its brilliance to make this movie a wonder.
Keeping the first 44 minutes away the rest of the movie arrests the audiences completely. The first 44 minutes would literally keep the pulse of audiences down and confused. Pale dialogues, insipid scenes between Brahmanandam and Hema, weak portrayal of Chiranjeevi in a senseless scene would let down the audiences.
The real tempo starts as soon as the completion of the song ‘Naakosam nuvvu juttu peekkunte baagundi..’ The momentum develops with the first horse riding scene of Ram Charan chasing a bus. The interval scene hooks the audiences with lot of enthusiasm for sure. And the audiences can never turn their head and blink eye lid from then till climax.
And the audiences come out from theatre with the experience of a rollercoaster ride, with the sound reverberating in hearts, with a heavy hangover of watching a new facet of Telugu cinema.
The film proves to a historical one with respect to patronage of audiences of all classes.
Rating Judgment: The movie scores 4/5 by the virtue of technical values and adventurous attempt. It would have scored bigger if the first 44 minutes were also dealt well with sensible comedy and treatment.
Verdict: It’s good to watch the film as soon as possible.
source:greatandhra.com
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